Johnny Winter has been a guitar hero without equal. Signing to Columbia records in 1969, called largest solo artist deal of it's time, Johnny immediately laid out the blueprint for his fresh take on classic blues, a prime combination for the legions of fans just discovering the blues via the likes of Jimmy Page and Eric Clapton. Constantly shifting between simple country blues in the vein of Robert Johnson, to all-out electric slide guitar blues-rock, Johnny has always been one of the most respected singers and guitar players in rock and the clear link between British blues-rock and American Southern rock. Throughout the '70s and '80s, Johnny was the unofficial torch-bearer for the blues, championing and aiding the careers of his idols like Muddy Waters and John Lee Hooker.

Growing up in a rough-and-tumble town populated by oilfield wildcatters and shipyard workers, he spent long hours listening to a local deejay named J.P. Richardson – The Big Bopper of Chantilly Lace fame – and became hooked on 50's rock & roll. He formed his first band, Johnny and the Jammers, in 1959 at the age of 15, with his 12-year-old brother Edgar on keyboards. Racial tensions in Beaumont were still high in those days. The town had been site to one of the worst race riots in Texas history just nine months before Johnny's birth. Despite the brutal legacy, Johnny remembers never hesitating as a kid to venture into black neighborhoods to hear and play music. Looking back, he believes people in the black community knew that he was sincere, that he was genuinely possessed by the blues. "Nothing ever happened tome. I went to black clubs all the time, and nobody ever bothered me. I always felt welcome." He also became friends with Clarence Garlow, a deejay at the black radio station KJET in Beaumont, who opened Winter's eyes and ears to rural blues and Cajun music.

There's a famous story about a time in 1962 when Johnny and his brother went to see B.B. King at a Beaumont club called the Raven. The only whites in the crowd, they no doubt stood out. But Johnny already had his chops down and wanted to play with the revered B.B. "I was about 17," Johnny remembers, "and B.B. didn't want to let me on stage at first. He asked me for a union card, and I had one. Also, I kept sending people over to ask him to let me play. Finally, he decided that there were enough people who wanted to hear me that, no matter if I was good or not, it would be worth it to let me on stage. He gave me his guitar and let me play. I got a standing ovation, and he took his guitar back!"

Winter's big breakthrough came a few years later in 1968 when Rolling Stone writers Larry Sepulvado and John Burks featured him in a piece on the Texas Music scene, which prompted a bidding war among labels that Columbia eventually won. 

Johnny's self-titled 1969 disc announced loudly that there was a new guitar-slinger on the new national scene. The disc included audacious covers such blues classics as B.B. King's Be Careful with a Fool, Sonny Boy Williamson II's Good Morning Little School Girl, Robert Johnson's When You Got a Good Friend and fellow Texan Lightin' Hopkins' Back Door Friend. It also featured two prime original Winter songs, Dallas and the controversial I'm Yours and I'm Hers, that went into heavy rotation on FM underground radio. The album peaked at No.24 on the billboard chart and was promptly followed by Second Winter later that same year.

Today Johnny Winter is enjoying an unparalleled resurgence performing to sold out shows worldwide even after a long life full of honors and accomplishments such as a triumphant appearance at Eric Clapton's Crossroads Festival with Derek Trucks, Buddy Guy and Clapton that has been immortalized on the Emmy award winning DVD. In a ceremony with Slash presenting in Nashville, Gibson Guitars released the signature Johnny Winter Firebird guitar that has been his beloved trademark for years. A Live through the '70s DVD is a hit along with his Live Bootleg Series CDs that have all entered the Top 10 Billboard Blues charts. Two unique instructional DVDs have been produced by Cherry Lane/Hal Leonard to the gratitude of players around the world. Always one for special appearances, he recently performed with the Allman Brothers at the Beacon Theater in Manhattan on the 40th anniversary of their debut.

In addition Winter has been headlining such prestigious events as the New Orleans Jazz & Heritage Festival, Chicago Blues Festival, Swedish Rock Fest, Warren Haynes X-mas jam and Europe's Rockpalast viewed by millions just to name a few. Warner Bros. has now released a 40th anniversary DVD of Woodstock: 3 Days of Love and Peace the Director's Cut featuring, for the first time, Johnny playing his smoking classic Meantown Blues.

His recent Grammy nominated I'm A Bluesman disc on Virgin/EMI, has only added to his Texas-sized reputation. Joining him on this CD are guitarist Paul Nelson, bassist Scott Spray, 2 members of his current scorching road-tested touring band also consisting of drummer Vito Liuzzi. Performing now with a renewed vigor and fire to say that he is "back" would be an understatement. In fact, he never left. He is just better than ever.

www.johnnywinter.net